I am very happy to present this guest post by Kristin Grossman. She's a law student who has created a unique way to make the law fun and memorable. Thanks, Kristin, for telling us your story and letting us read your five outstanding songs. I know many readers will be hearing the songs in their heads as they read. Now here's Kristin . . .
Like Elle in the film “Legally Blonde,” I pretty much did wake up one morning and decide to pursue a J.D. The similarities don't stop there. My background is hardly what one would expect for a law student. I have a B.A. in art, a yoga teacher certification, and a body of professional and personal experience that diplomatically can be termed “eclectic.” I'm also blonde and fond of the color pink.
One can imagine then, that much of the time at school, I feel like a Hare Krishna at a Presbyterian church picnic. There is no getting around the fact that it's tough being a right-brained person in a left-brained environment.
My need to remember legal concepts in a creative manner spawned the following lyrics. And to give these lyrics a stage, "Restitution: The Attractive Nuisance Band” was formed with the help and guidance of Professor Susan Daicoff and my fellow artistically-inclined law students (one of whom is now my husband - what an amazing benefit to being yourself). We performed these ditties for our Contracts II class and the student body at Florida Coastal School of Law. It's the most I'd seen everyone smile in nine months. And my hope and suspicion is, that in the midst of the fun, important concepts were solidified.
It is important to note that these lyrics do not merely represent the musings of my restless creative self, but truly serve to “flesh out” the concepts and the key elements of important rules of law. I think the creators of “Schoolhouse Rock” would back me on this: certain brains learn more effectively when they have a jingle and some fun to help remember the dry stuff.
Little Bit Me, Little Bit You
(to the tune of A Little Bit Me A Little Bit You by Neil Diamond and performed by the Monkees)
Compare!
Portions of fault now
It can’t all fall on me1
Not fair!
To make me pay for
The harm in entirety2
Girl, the court’s gonna find
that you’re a little bit wrong
and I’m a little bit right
And I say girl!
You know that it’s true
Fault’s a little bit me
Fault’s a little bit you
True…
Don’t know!
just how it happened
Girl I apologize
You said
drive way more faster
We’ll make it before sunrise3
Girl, the court’s gonna find
that you’re a little bit wrong
and I’m a little bit right
And I say girl!
You know that it’s true
Fault’s a little bit me
Fault’s a little bit you
True…
Brake now!
Couldn’t avoid it.
The curve came up way too fast
Scrapes now!
Could have been much worse
In judgment we both had a lapse
Girl, the court’s gonna find
that you’re a little bit wrong
and I’m a little bit right
And I say girl!
You know that it’s true
Fault’s a little bit me
Fault’s a little bit you
True…
1. Pure comparative negligence eliminates a windfall for either claimant or defendant allowing each party to recover only for the portion of the damages not attributable to their individual negligence. Hilen v. Hays, 673 S.W.2d 713, 718 (Ky. 1984).
2. "The concept of allocating liability proportionate to fault remains irresistible to reason and all intelligent notions of fairness." Hilen 673 S.W.2d at 718 (Ky. 1984) (citing Li v. Yellow Cab Co., 119 Cal.Rptr. 804, 863 (1975)).
3. She was trying to make it to the sunrise yoga class at the beach.
Keep These Eight Away
(to the tune of You've Got to Hide Your Love Away by Lennon and McCartney performed by The Beatles)